Jumat, 27 Juni 2014

[T349.Ebook] Get Free Ebook Queen of Scots: The True Life of Mary Stuart, by John Guy

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Queen of Scots: The True Life of Mary Stuart, by John Guy

National Book Critics Circle Award finalist

“A triumph . . . a masterpiece full of fire and tragedy.” — Amanda Foreman, author of Georgiana

In the first full-scale biography of Mary Stuart in more than thirty years, John Guy creates an intimate and absorbing portrait of one of history’s greatest women, depicting her world and her place in the sweep of history with stunning immediacy. Bringing together all surviving documents and uncovering a trove of new sources for the first time, Guy dispels the popular image of Mary Queen of Scots as a romantic leading lady — achieving her ends through feminine wiles — and establishes her as the intellectual and political equal of Elizabeth I.

Through Guy’s pioneering research and superbly readable prose, we come to see Mary as a skillful diplomat, maneuvering ingeniously among a dizzying array of factions that sought to control or dethrone her. Queen of Scots is an enthralling, myth-shattering look at a complex woman and ruler and her time.

“The definitive biography . . . gripping . . . a pure pleasure to read.” — Washington Post Book World

“Reads like Shakespearean drama, with all the delicious plotting and fresh writing to go with it.” — Atlanta Journal-Constitution

John Guy is a fellow in history at Clare College, University of Cambridge, and the author of several books, including the best-selling textbook Tudor England.

  • Sales Rank: #161774 in Books
  • Brand: Guy, John A.
  • Published on: 2005-10-12
  • Released on: 2005-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.48" w x 5.50" l, 1.39 pounds
  • Binding: Paperback
  • 608 pages

From Publishers Weekly
The story of Mary Stuart has been told in many contexts (most recently in Elizabeth and Mary), but nowhere has she been defended more rigorously than in this new study. Guy, a fellow at Cambridge University and BBC consultant, describes Mary's formative years in France, but the heart of the book is her short reign in Scotland. Negotiations with Elizabeth Tudor over the succession in England and the shadow of Mary's final fate dominate the narrative, but while Guy effectively establishes that Elizabeth's chief minister William Cecil was Mary's true English enemy, what is most shocking is how suppliant he shows Mary to have been to Elizabeth. The most dramatic moments, however, are supplied by the Scottish nobles, who shifted alliances around her and colluded in kidnappings and assassinations. Though not the first to challenge Mary's femme fatale image, Guy does not even deign to discuss the accusation that she was romantically involved with her Italian secretary Rizzio and convincingly absolves her of involvement in the death of her second husband. He re-examines her actions and choices and offers a lively textual analysis of letters usually used as evidence against her. Yet he does not conclusively argue that she ruled from the head, and, in the end, the question of whether Mary Stuart ruled from her head or her heart appears beside the point. Guy's detailed account of the familial, political and religious machinations of the forces swirling around the queen suggests that it was not flaws in Mary's character but the entire constellation of circumstances that doomed her rule in Scotland and led to her execution. 16 pages of b&w photos.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Few royal figures from the pages of European history continue to fascinate historian and lay reader alike as much as Mary Stuart, the ill-fated queen of Scots, who has come down to us dressed in the raiment of legend. British historian Guy delves deeply into previously little-mined archival evidence, and, aided by a felicitous style (no drifting into dry lecturing), he arrives not at a whitewash but at a restoration of Queen Mary with respect to the truth about the quality of her character and her performance as monarch. The easiest and quickest way to judge Mary Stuart has always been to compare her to her cousin and fellow queen-sovereign Elizabeth Tudor. Guy, on the other hand, takes Mary on her own terms, seeing as "stereotype" the long-perpetuated concept that Mary "ruled from her heart" while Elizabeth "ruled from the head." Mary's is a complicated story, as were Scottish politics at the time, but Guy explicates the complications--including Mary's marriages, her struggle with the Scottish lords, the murder of her second husband, and her long incarceration and eventual execution in England--with both authority and clear illumination. A major biography. Brad Hooper
Copyright � American Library Association. All rights reserved

Review
"Spirited and satisfying....Guy's account has all the twists and turns of a good thriller--and plenty of horror, too." Kirkus Reviews

"As enthralling as a detective story..." --Gerard Kilroy The New York Times Book Review

"Recent royal shenanigans look tame compared with what John Guy unearths in QUEEN OF SCOTS." --Claire Lui Entertainment Weekly

"Queen of Scots is a triumph of biography, artistry, and historical detective work. John Guy has produced a masterpiece, full of fire and tragedy." --Amanda Foreman, author of Georgiana

"Rarely have first-class scholarship and first-class storytelling been so effectively combined." --John Adamson, Daily Telegraph

"[An] absorbing biography . . . meticulously researched . . . scholarly and intriguing." --Peter Ackroyd The Times of London

"A definitive biography. . . . Reads as thrillingly as a detective story, and is rich in detail and authoritative in its analysis." --Miranda Seymour, The Sunday Times

"I couldn't put this book down....Never before has [Mary's story] been told with such detail, accuracy, insight and drama." --Gerard DeGroot, Scotland on Sunday

Most helpful customer reviews

27 of 27 people found the following review helpful.
A fresh look at Mary Queen of Scots life and loves and plots
By K. Maxwell
In this lively biography John Guy has produced a new, thoughtful, and very well researched, portrait of the much maligned Mary, Queen of Scots. He has dug up records that have not been used by historians in over 100 years and for the first time fully reviewed all the original documents relating to the death of her husband Darnley and come up with some very interesting results.

Mary comes across as an intelligent, well educated, politically astute woman when she finally took her place on the throne of Scotland. It's often easy to overlook the fact that for close to 5 years she successfully ruled Scotland and its plotting Lords in her own name before the dramatic events which shaped her eventual fate took place. John Guy successfully puts these years of successful rule in their place and presents a version of the death of her husband Darnley that makes a great deal of sense given the evidence of this event that is still preserved in English archives.

Mary's later captive years are dealt with in less detail, but the plots that eventually bought about her death are presented in with insight and detail. This biography has a lot of new information on Mary, and if you are interested in this complex and tragic historical figure then this book is a must, and it will make you re-think some of the assumptions in earlier biographies.

0 of 0 people found the following review helpful.
Learned not!
By C.B
See above

Learned a lot of interesting facts about Mary although did not love writing style.
Interestingly found Reign pretty close to story until Francis became ill then veers. Although m y husband says the clothing etc is not accurate!

0 of 0 people found the following review helpful.
Enjoyed this, a great historical read.
By P K
Very well written, a great read!

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Modernism in Dispute: Art Since the Forties (Modern Art--Practices & Debates), by Jonathan Harris, Francis Frascina, Dr. Charles Harrison,

This, the final volume in this series discusses how American art evolved from the social realism prevalent during the 1930s to a predominantly abstract art after the war, relates this change to America's growing economic and political dominance of the post-war world, and constrasts the abstraction of American art with the persistently realistic art of France. The authors then review the era of high Modernism in the 1960s and the challenge to Modernism by movements such as Minimal art, Land art, and Conceptual art, and they consider the moves to develop an art of overt social purpose in the wake of widespread criticism of Modernist claims for the autonomy of art. The book concludes by considering the implications of the Postmodernism debate for the practice of art today.

  • Sales Rank: #676501 in Books
  • Published on: 1993-09-22
  • Original language: English
  • Number of items: 1
  • Dimensions: .75" h x 7.62" w x 10.12" l, 1.71 pounds
  • Binding: Paperback
  • 283 pages

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1 of 11 people found the following review helpful.
excellent service
By nick adams
I feel like a form letter...I have never had a bad experience with Amazon Used Books Dealers. Some are better about mailing it to me immediately. Some make you wait the full amount of time mentioned when ordering. But the items have always exceeded my expectations, and this vendor was no exception. The book was in great condition. And the delivery of this particular item was in the medium range for when I received it; I did not receive it quickly, but I also did not have to wait too long for it to get here. It is a text book I need for a fall class, so all is good!

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Kamis, 19 Juni 2014

[V224.Ebook] Fee Download La Terapia Gerson y sus recetas (Spanish Edition), by Carla Nieto

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La terapia Gerson es un tratamiento natural y biologico que utiliza los mecanismos de curacion del organismo para acabar con las dolencias que lo debilitan. Su principal herramienta es la combinacion de una dieta especifica y un plan de suplementos. Segun Gerson, el cancer es una enfermedad que afecta a todo el cuerpo, mientras que el tumor no es mas que un mero sintoma; por ello, su terapia, dirigida a todo el organismo, consigue eliminar los tumores. Aplicada tambien a otras patologias -como la artritis, las cardiopatias, la diabetes y otras dolencias cronicas-esta terapia ha salvado miles de vidas humanas. / The Gerson Therapy is a natural treatment that activates the bodys extraordinary ability to heal itself through an organic, vegetarian diet. Its is also a form of alternative cancer treatment. So, you'd like to heal yourself with the Gerson Therapy, but dont quite know how to get started? In this book you will find the Gerson Therapy Recipes that has lives.

  • Sales Rank: #396900 in Books
  • Published on: 2014-12-30
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 200 pages

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2 of 2 people found the following review helpful.
Excelente libro, aun sigo leyéndolo pero todo lo que ...
By Diego
Excelente libro, aun sigo leyéndolo pero todo lo que he leído es información muy buena sobre enfermedades y como cambiar tu vida con estos alimentos.

1 of 1 people found the following review helpful.
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By ELENA ARAY
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1 of 1 people found the following review helpful.
I recommend reading this book
By Lous
Anyone who is sick, I recommend reading this book.

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Selasa, 10 Juni 2014

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Gender Law and Policy touches on every area of life-topics thatreach us all-such as employment, family, education, and sexual identity. Katharine T. Bartlett and Deborah L. Rhode offer a theoretical framework that supports thoughtful and systematic analysis, alongside over 100 practical questions of contemporary law and policy.

Features:

  • Organized in theoretical frameworks to enable student to grasp different conceptualizations of equality and justice.
  • Provides complete, up-to-date coverage of conventional ""women and the law"" issues, including employment law, affirmative action, sexual harassment, reproductive rights, domestic violence, Title IX, and poverty and race.
  • Shows the complex ways in which gender permeates the law, including issues relating to property, ethics, contracts, sports, and criminal law.
  • Tailors cases to undergraduate use, almost entirely omitting procedural issues

  • Sales Rank: #842864 in Books
  • Published on: 2014-05-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.68" h x 7.00" w x 10.00" l, 3.17 pounds
  • Binding: Paperback
  • 848 pages

About the Author
Katharine T. Bartlett is professor of law at Duke University.

Deborah L. Rhode is Ernest W. McFarland Professor of Law and Director of the Center on the Legal Profession at Stanford University.

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Rabu, 28 Mei 2014

[L821.Ebook] Fee Download Greene Is the New Grey: Many Strange Women Deluxe Edition with Deleted Material, by Parker J. Cole

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Greene Is the New Grey: Many Strange Women Deluxe Edition with Deleted Material, by Parker J. Cole

Solomon Greene made a deal with God.


If He'd send him an unattractive woman, he'd marry her on sight and do what was spiritually right. After all, he needed that kind of wife to help him escape from his sordid past.


Celeste Martin made a deal with Solomon. She'd be his ugly wife. All she wanted in return was his name. She was in love with her sister's fiance and he would be the only man she'd ever love.


Solomon had no idea that he'd find his wife fascinating. Celeste didn't know that one taste from her husband's lips would have her wanting more. Yet many strange women were between them.


Could Solomon ever escape from his past?


Could Celeste ever love her husband?


Greene Is the New Grey also contains a deleted novella, The Arrangement, a prelude to Many Strange Women.

  • Sales Rank: #786776 in eBooks
  • Published on: 2015-02-08
  • Released on: 2015-02-08
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
The Growth of Love
By Christina Simpson
I really enjoyed this book. Throughout the book you really grow to love the characters that Parker has written, and you feel for them as they face the issues continually growing between them. I do love that their journey to salvation was real, and that their love grew only when they began to accept the Love of God. Thanks for writing! Keep doing it,and I'll keep reading.

2 of 2 people found the following review helpful.
LOVED IT!
By Kindle Customer
This was not what I expected. It was funny, intimate, had lessons from the bible and I could get enough. It was nice to read a romance book that didn't have one sex scene in it. I think that's why I it surprised me. The bible reference,the comedy, everything. Absolutely loved every page.

1 of 1 people found the following review helpful.
Convicting, heartening, highly recommend!
By Christina Shelton
This is a book that finally answers some very old questions for me. It presents the proper way to handle a checkered past when adapting to God's path. My niece was right, this would sit on the shelf with honor where other women might have placed "fifty shades of grey". So very glad it wasn't recommended; I would have every woman I know read it and share.

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[G418.Ebook] Ebook My Brilliant Friend (The Neapolitan Novels), by Elena Ferrante

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My Brilliant Friend (The Neapolitan Novels), by Elena Ferrante

"Thorndike Press large print basic."--Title page verso.

  • Sales Rank: #138123 in Books
  • Published on: 2016-07-06
  • Format: Large Print
  • Original language: English
  • Dimensions: 9.25" h x 6.00" w x 1.25" l, .0 pounds
  • Binding: Hardcover
  • 497 pages

Review
Praise for Elena Ferrante and The Neapolitan Novels

The United States

“Ferrante’s novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.”
—James Wood, The New Yorker
 
“One of the more nuanced portraits of feminine friendship in recent memory.”
—Megan O’Grady, Vogue
 
“Amazing! My Brilliant Friend took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!”
—Elizabeth Strout, author of Olive Kitteridge
 
“I like the Italian writer, Elena Ferrante, a lot. I've been reading all her work and all about her.” — John Waters, actor and director
 
“Elena Ferrante may be the best contemporary novelist you’ve never heard of.”
—The Economist
 
“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all, the echoes of literary history.”
—The New York Times Book Review
 
“I am such a fan of Ferrante’s work, and have been for quite a while.”
—Jennifer Gilmore, author of The Mothers
 
“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book” — Publisher’s Weekly
 
“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”
—Molly Fischer, The New Yorker

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples, with its cobblers and professors, communists and mobbed-up businessmen, womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.”
—John Powers, Fresh Air, NPR
 
“Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk . . . In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need, one told brilliantly, by a woman.”
—Roxana Robinson, The New York Times Book Review
 
“An intoxicatingly furious portrait of enmeshed friends Lila and Elena, Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression  and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”
—Entertainment Weekly

"It's just hypnotic. I could not stop reading it or thinking about it."
—Hillary Clinton
 
“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.”
—Shelf Awareness
 
“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels, which unfold from the fifties to the twenty-first century to tell a single story with
the possessive force of an origin myth.”
—Megan O’Grady, Vogue 
 
“Ferrante’s writing is so unencumbered, so natural, and yet so lovely, brazen, and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect, bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative, but rather because she’s unselfconscious and brutally, diligently honest.”
—Minna Proctor, Bookforum
 
“Ferrante can do a woman’s interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.”
—Booklist
 
“The truest evocation of a complex and lifelong friendship between women I’ve ever read.”
—Emily Gould, author of Friendship
 
“Elena Ferrante is the author of several remarkable, lucid, austerely honest novels . . . My Brilliant Friend is a large, captivating, amiably peopled bildungsroman.”
—James Wood, The New Yorker
 
“Compelling, visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”
—Jennifer Gilmore, The Los Angeles Times
 
“Those Who Leave and Those Who Stay surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”
—Publishers Weekly (starred review)
 
“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”
—Mona Simpson,author of Casebook and Anywhere But Here
 
“Elena Ferrante will blow you away.”
—Alice Sebold, author of The Lovely Bones
 
“The Days of Abandonment is a powerful, heartrending novel.”
—Jhumpa Lahiri, Pulitzer-prize winning author of The Lowland 
 
“The Neapolitan novel cycle is an unconditional masterpiece . . . I read all the books in a state of immersion; I was totally enthralled. There was nothing else I wanted to do except follow the lives of Lila and Lenù to the end.”
—Jhumpa Lahiri, Pulitzer-prize winning author of The Lowland
 
“Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!”
—Elizabeth Strout, Pulitzer-prize winning author of The Burgess Boys
 
“Elena Ferrante: the best angry woman writer ever!”
—John Waters, director
 
“The feverish speculation about the identity of Elena Ferrante betrays an understandable failure of imagination: it seems impossible that right now somewhere someone sits in a room and draws up these books. Palatial and heartbreaking beyond measure, the Neapolitan novels seem less written than they do revealed. One simply surrenders. When the final volume appears—may that day never come!—they’re bound to be acknowledged as one of the most powerful works of art, in any medium, of our age.”
—Gideon Lewis-Kraus, author of A Sense of Direction
 
“Ferrante tackles girlhood and friendship with amazing force.”
—Gwyneth Paltrow, actor
 
“Elena Ferrante’s The Story of a New Name. Book two in her Naples trilogy. Two words: Read it.”
—Ann Hood, writer (from Twitter)
 
“Ferrante continues to imbue this growing saga with great magic.”
—Booklist(starred review)
 
“One of Italy’s best contemporary novelists.”?
—The Seattle Times

“Ferrante’s emotional and carnal candor are so potent.”
—Janet Maslin, The New York Times
 
“Elena Ferrante’s gutsy and compulsively readable new novel, the first of a quartet, is a terrific entry point for Americans unfamiliar with the famously reclusive writer, whose go-for-broke tales of women’s shadow selves—those ambivalent mothers and seething divorcées too complex or unseemly for polite society (and most literary fiction, for that matter)—shimmer with Balzacian human detail and subtle psychological suspense . . . The Neapolitan novels offer one of the more nuanced portraits of feminine friendship in recent memory—from the make-up and break-up quarrels of young girls to the way in which we carefully define ourselves against each other as teens—Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.”
—Megan O’Grady, Vogue
 
“My Brilliant Friend is a sweeping family-centered epic that encompasses issues of loyalty, love, and a transforming Europe. This gorgeous novel should bring a host of new readers to one of Italy’s most acclaimed authors.”
—The Barnes and Noble Review
 
“Ferrante draws an indelible picture of the city’s mean streets and the poverty, violence and sameness of lives lived in the same place forever . . . She is a fierce writer.”
—Shelf Awareness
 
“Ferrante transforms the love, separation and reunion of two poor urban girls into the general tragedy of their city.”
—The New York Times
 
“Beautifully translated by Ann Goldstein . . . Ferrante writes with a ferocious, intimate urgency that is a celebration of anger. Ferrante is terribly good with anger, a very specific sort of wrath harbored by women, who are so often not allowed to give voice to it. We are angry, a lot of the time, at the position we’re in—whether it’s as wife, daughter, mother, friend—and I can think of no other woman writing who is so swift and gorgeous in this rage, so bracingly fearless in mining fury.”—Susanna Sonnenberg, The San Francisco Chronicle
 
“Everyone should read anything with Ferrante’s name on it.”
—The Boston Globe
 
“The through-line in all of Ferrante’s investigations, for me, is nothing less than one long, mind-and-heart-shredding howl for the history of women (not only Neapolitan women), and its implicit j’accuse . . . Ferrante’s effect, critics agree, is inarguable. ‘Intensely, violently personal’ and ‘brutal directness, familial torment’ is how James Wood ventures to categorize her—descriptions that seem mild after you’ve encountered the work.”
—Joan Frank, The San Francisco Chronicle
 
“Lila, mercurial, unsparing, and, at the end of this first episode in a planned trilogy from Ferrante, seemingly capable of starting a full-scale neighborhood war, is a memorable character.”—Publishers Weekly
 
“An engrossing, wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society.” —The Los Angeles Review of Books
 
“Ferrante’s own writing has no limits, is willing to take every thought forward to its most radical conclusion and backwards to its most radical birthing.”­
—The New Yorker


The United Kingdom

“The Story of a New Name, like its predecessor, is fiction of the very highest order.”—Independent on Sunday
 
“My Brilliant Friend, translated by Ann Goldstein, is stunning: an intense, forensic exploration of the friendship between Lila and the story’s narrator, Elena. Ferrante’s evocation of the working-class district of Naples where Elena and Lila first meet as two wiry eight-year-olds is cinematic in the density of its detail.”
—The Times Literary Supplement
 
“This is a story about friendship as a mass of roiling currents—love, envy, pity, spite, dependency and Schadenfreude coiling around one another, tricky to untangle.”
—Intelligent Life
 
“Elena Ferrante may be the best contemporary novelist you have never heard of. The Italian author has written six lavishly praised novels. But she writes under a pseudonym and will not offer herself for public consumption. Her characters likewise defy convention . . . Her prose is crystal, and her storytelling both visceral and compelling.”
—The Economist
 
Ferrante is an expert above all at the rhythm of plotting: certain feuds and oppositions are kept simmering and in abeyance for years, so that a particular confrontation – a particular scene – can be many hundreds of pages in coming, but when it arrives seems at once shocking and inevitable.”
—The Independent


Italy
 
“Those Who Leave and Those Who Stay evokes the vital flux of a heartbeat, of blood flowing through our veins.”
—La Repubblica
 
“We don’t know who she is, but it doesn’t matter. Ferrante’s books are enthralling self-contained monoliths that do not seek friendship but demand silent, fervid admiration from her passionate readers . . . The thing most real in these novels is the intense, almost osmotic relationship that unites Elena and Lila, the two girls from a neighborhood in Naples who are the peerless protagonists of the Neapolitan novels.”
—Famiglia Cristiana
 
“Today it is near impossible to find writers capable of bringing smells, tastes, feelings, and contradictory passions to their pages. Elena Ferrante, alone, seems able to do it. There is no writer better suited to composing the great Italian novel of her generation, her country, and her time than she.”
—Il Manifesto
 
“Elena Ferrante is a very great novelist . . . In a world often held prisoner to minimalism, her writing is extremely powerful, earthy, and audacious.”
—Francesca Marciano, author of The Other Language
 
“Regardless of who is behind the name Elena Ferrante, the mysterious pseudonym used by the author of the Neapolitan novels, two things are certain: she is a woman and she knows how to describe Naples like nobody else. She does so with a style that recalls an enchanted spider web with its expressive power and the wizardry with which it creates an entire world.”
—Huffington Post (Italy)
 
“A marvel that is without limits and beyond genre.”
—Il Salvagente

“Elena Ferrante is proving that literature can cure our present ills; it can cure the spirit by operating as an antidote to the nervous attempts we make to see ourselves reflected in the present-day of a country that is increasingly repellent.”
—Il Mattino

“My Brilliant Friend flows from the soul like an eruption from Mount Vesuvio.”
—La Repubblica


Australia
 
“No one has a voice quite like Ferrante’s. Her gritty, ruthlessly frank novels roar off the page with a barbed fury, like an attack that is also a defense . . . Ferrante’s fictions are fierce, unsentimental glimpses at the way a woman is constantly under threat, her identity submerged in marriage, eclipsed by motherhood, mythologised by desire. Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.”
—John Freeman, The Australian
 
“One of the most astounding—and mysterious—contemporary Italian novelists available in translation, Elena Ferrante unfolds the tumultuous inner lives of women in her thrillingly menacing stories of lost love, negligent mothers and unfulfilled desires.”
—The Age
 
“Ferrante bewitches with her tiny, intricately drawn world . . . My Brilliant Friend journeys fearlessly into some of that murkier psychological territory where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.”
—The Melbourne Review
 
“The Neapolitan novels move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty, their ugliness, their devotion and deceit, these girls enchant and repulse, like life, like our very selves.”
—The Sydney Morning Herald
 
“The best thing I’ve read this year, far and away, would be Elena Ferrante…I just think she puts most other writing at the moment in the shade. She’s marvelous. I like her so much I’m now doing something I only do when I really love the writer: I’m only allowing myself two pages a day.”
—Richard Flanagan, author of Book prize finalist, The Narrow Road to the Deep North


Spain
 
“Elena Ferrante’s female characters are genuine works of art . . . It is clear that her novel is the child of Italian neorealism and an abiding fascination with scene.”
—El Pais

About the Author
Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), Troubling Love (Europa, 2006), The Lost Daughter (Europa, 2008) and the Neapolitan Quartet (Europa 2012-2015). She is also the author of a children’s picture book illustrated by Mara Cerri, The Beach at Night.

Ann Goldstein is an editor at The New Yorker. Her translations for Europa Editions include novels by Amara Lakhous, Alessandro Piperno, and Elena Ferrante's bestselling My Brilliant Friend. She lives in New York.

Most helpful customer reviews

325 of 349 people found the following review helpful.
A great book about friendship, but also about poverty, backwardness, and isolation.
By sumoran
This is a great book. Not everybody will enjoy it and it is definitively not a chick-lit.

While this is a book about friendship, I noticed that a lot of people with negative reviews came disappointed with that aspect of the book. This is a brilliant book about more than just friendship. It is also a powerful story about poverty, backwardness, class, and isolation (I know, favorite topics of most readers). What is brilliant about the book's treatment of these problems, is that while it is placed in a specific place and time (Naples in 1950s), it gets to the universal effects these problems create in people's lives from childhood onwards. In essence, it says a lot about poor rural areas or urban ghettoes in the US in 2014.

This is also a book about what it takes to get out of these problems and about the power of example, love, and friendship.

It is written in a direct and sometimes disturbing way. It's raw. There is no hiding or prettifying the truth.

So, if you are looking for a chick-lit, keep looking. If violence and abuse of any kind disturb you, move on. If you want something that will make you feel good at all times, do the same.

Finally, it gets better after a first quarter or so. It is worth sticking with it even if your are not excited early on.

3 of 3 people found the following review helpful.
Interesting Selection for Book Group
By L. M. Keefer
Our literature book group at the library read and discussed this book this month. Of the 18 who attended, most enjoyed the story and many want to read more of the series. Features we appreciated about the story:

* insight into culture of Naples in the 1950's and post-war world

* relationship between two young girls from about 5 years-old to marriage

* humorous scenes - example: when fireworks were going off and rival firework family started shooting at the girls and their friends

* fascinating characters especially in two female protagonists

* great writing

* reminds readers of their childhoods and perspectives

If your book group wants to read a novel written by someone other than an American or English author, this is something quite different. One word of warning: you may want to read the second book in the trilogy just to find out what happens to the characters.

1 of 1 people found the following review helpful.
Lenu and Lila are unforgettable for readers of My Brilliant Friend
By marmel
This is a vivid portrayal of the beginnings of a lifelong friendship, of sorts, between two women in Naples in the 1940s and 50s. The imaginative detail is quite stunning, really, in the anecdotes and the description of the young girls' feelings and observations of the world around them. Ferrante captures a time and place in painstaking detail, and yet makes it universally accessible for those who take the imaginative leap with her. Lenu and Lila are not easy to forget.

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Senin, 26 Mei 2014

[S408.Ebook] Ebook Codex Grey Knights (German Edition)From Games Workshop

Ebook Codex Grey Knights (German Edition)From Games Workshop

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Codex Grey Knights (German Edition)From Games Workshop

Codex Grey Knights (German Edition)From Games Workshop



Codex Grey Knights (German Edition)From Games Workshop

Ebook Codex Grey Knights (German Edition)From Games Workshop

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Codex Grey Knights (German Edition)From Games Workshop

  • Published on: 2011-04-02
  • Original language: German
  • Dimensions: 10.83" h x .31" w x 7.87" l,
  • Binding: Paperback
  • 96 pages

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Codex Grey Knights (German Edition)From Games Workshop PDF
Codex Grey Knights (German Edition)From Games Workshop EPub
Codex Grey Knights (German Edition)From Games Workshop Doc
Codex Grey Knights (German Edition)From Games Workshop iBooks
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Codex Grey Knights (German Edition)From Games Workshop PDF

Codex Grey Knights (German Edition)From Games Workshop PDF

Codex Grey Knights (German Edition)From Games Workshop PDF
Codex Grey Knights (German Edition)From Games Workshop PDF