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As the Los Angeles Times said: "Drawing expertly on five centuries of the cultural history of Europe and the Americas, Fuentes seeks to capture the spirit of the new, vibrant, and enduring civilization [in the New World] that began in Spain." Fuentes's singular success in this remarkable endeavor has made the book a classic in its field. (A Mariner Reissue).
- Sales Rank: #119590 in Books
- Published on: 1999-01-15
- Released on: 1999-01-15
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .86" w x 7.00" l, 1.80 pounds
- Binding: Paperback
- 400 pages
From Publishers Weekly
Mexican novelist and statesman Fuentes believes that a common cultural heritage can help the countries of Latin America transcend disunity and fragmentation. In a splendidly illustrated survey, companion to a TV series, he perceptively explores Spanish America's love-hate relationship with Spain and its search for an identity in its multicultural roots. His guiding metaphor is the mirror--whether the glass found in Olmec tombs that guided the dead through the underworld, or Cervantes's Knight of the Mirror, who attempted to cure Don Quixote of madness. In the popular assemblies of medieval Spain's townships, Fuentes finds a model for democratic change in Latin American nations warped by oligarchy and U.S. imperialism. He paints a composite portrait of a dynamic culture through sophisticated meditations on Hernand Cortes's Machiavellian character, Spain's self-mutilating expulsion of its Jews, the pillage of Indian society, Goya and the Enlightenment, Bolivar's quest for self-rule, modern painting, and the Hispanic community in the U.S. 50,000 first printing; author tour.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Fuentes has used the occasion of the quincentennial of Columbus's voyage to the New World to reflect on the Latin American experience in this tie-in to the BBC series of the same name to be aired on the Discovery Channel on April 19-23, 1992. The theme of his thoughtful essay is the accommodation of cultures--Spain unique in the Old World in bringing together Christians, Moors, and Jews and the New World intermingling the blood and cultures of Spaniards, Indians, and blacks. It is the unavoidable encounter with the Other that has shaped the New World experience: "When we exclude, we betray ourselves," counsels Fuentes. "When we include, we find ourselves." Spanish America's predicament is that it inherited from Spain neither institutions nor attitudes necessary for full partnership in the modern capitalist world. Latin America remains derivative in culture and economy. Every page in this lapidary essay offers profound insight into the Spanish American psyche. Fuentes concludes, "We have the right . . . to celebrate the great wealth, variety, and continuity of our culture. Indeed, as the quincentennial comes and goes, many throughout Latin America will ask themselves, 'Why have our artists and writers been so imaginative and our politicians so unimaginative?' " Highly recommended for a wide range of readers. Previewed in Prepub Alert, LJ 12/91.
- David Keymer, SUNY Inst. of Technology, Utica
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
A companion volume to an upcoming Discovery/BBC TV series, this passionate meditation on Hispanic cultural identity from Fuentes (Constancia, 1990, etc.) unfolds with all the color, urgency, and perhaps inevitable superficiality of a popular documentary. Taking as his canvas no less than the entirety of Spanish and Spanish-American history, from the cave drawings at Altamira to the tortured political landscape of present-day Latin America, Fuentes builds his plea for Hispanic cultural continuity around a cluster of vigorously poetic images, largely concerned with the matter of ``inclusion.'' In the pre-Columbian age, for instance, Spain, Fuentes says, then quite literally ``the End of the World'' and marked by the successive influences of Iberian, Celtic, Roman, Visigothic, and Moorish traditions, found its unique identity through an often reluctant embrace of ``the Other.'' Transplanted to America, this rich blend expanded to encompass varied African and indigenous Indian accents. And yet today, fragmented and unstable, Latin America still lacks a ``necessary vision of cultural, economic, and political convergences.'' Although deeply personal and frequently stirring as polemic, the book offers no more than an outline as history, punctuated by proud intellectual trivia (Spain established Europe's earliest parliaments; Santo Domingo was home to the first university in the New World) and nicely formed, highly subjective musings on art and literature. More troubling is Fuentes's continual reliance on glib generalization and stereotype (e.g., that Mexican revolutionary leader Benito Ju�rez ``was the very embodiment of Indian fatality, Roman legality, and Spanish stoicism''). Odd, too, is the simultaneously forward-looking and conservative exhortation--that Latin Americans must ``create [their] own models,'' yet that they must search for these within an ``authentically Iberian'' tradition--which seems as much a reflection of the central dilemma as a solution. Strictly an introduction to a complex subject, but, in its yearning and contradictions, an unusually revealing one. (Illustrations--160--not seen.) -- Copyright �1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
One of the better History books I have read for a class
By Landon M.
One of the better History books I have read for a class. It has more personality than most and stay engaging throughout.
4 of 5 people found the following review helpful.
A great read for anyone interested in Spanish culture
By A Customer
This is by far the best book I have encountered that deals with Spanish and Latin American culture. Fuentes is at once poetic and historically fluente. The book moves smoothly, and the subjects with which it deals (which may be made boring by a less skilled writer) always hold the reader's attention. It's better written in Spanish, but the translation is pretty good too. If you like any of Fuentes' other works, or are simply interested in Hispanic culrture and philosphy, buy this one.
14 of 14 people found the following review helpful.
Understanding the Hispanic tradition
By Newton Ooi
The countries of Latin America have collectively had a long and tortured history; starting with the wars between the great native empires, the arrival of Columbus and the Spaniards, and finally US imperialism throughout the 20th century. Now, at the dawn of the 21st century, Latin Americans are more conscious than ever of their past, the contributions both native and European to it, and the state of their current economies, societies and culture. Part of this awakening and collective consciousness is the rise of prominant authors born and raised within the Hispanic world. One of these is Carlos Fuentes from Mexico, who in this book examines the origins and evolution of Latin American peoples, countries, and cultures. Paying attention to the influences from Spain, Portugal, France, various current and ancient native tribes, and now the US, this book shows how modern Hispanic culture came together in ways often violent, haphazard and chaotic. Rarely was one person in charge of this process; rare are the works that dominated this evolution. Outside of the Catholic Church, Latin America knows no equivalent of Sun Tzu's Art of War, Homer's epic poems, or the US Constitution. The author then tries to distill what is best about Latin American culture, and in doing so, points a way forward for Hispanics throughout the Western Hemisphere. Overall, a great book to understand this region of the world, its past, its present, and its probable future.
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